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  • Writer's pictureHamed Fardsoltany

The Beauty in the Scraps: Exploring the Art of Upcycling in Metal Sculpture

Updated: Jul 4, 2023

We all stare in wonder as astonishing sculptures come to life from pristine slabs of marble. But what about art that emerges from the overlooked, neglected pieces of waste that were once discarded? 'Upcycled' art is the story of another type of transformation - of breathing new life into what was once considered worthless. As we explore the world of 'upcycling' in art, in an increasingly consumer-driven society, we will illuminate the potential that lies within our cast-offs and hopefully encourage a reconsideration of our consumer habits.


'Upcycling' is a magical process that transforms discarded items into something with more artistic or functional value. The goal of 'upcycling' is to prevent wasting potentially useful materials by making use of existing ones whether through repairing, refurbishing, or repurposing discarded materials to create something new. Overall, upcycling is a way to reduce waste and create something new, more beautiful and valuable from existing materials, hence the UP in 'upcycling.



Our societal obsession with 'stuff' speaks to a value system that prioritizes short-term gain and material wealth, often at the expense of the environment and long-term sustainability. There are a few key reasons why this is so.


For one, there's overconsumption and waste. The more we buy, the more resources are used to create those goods. This consumption is driving an increased demand for raw materials, energy, and land, leading to deforestation, habitat destruction, and biodiversity loss. Additionally, most of the stuff we buy eventually ends up as waste, leading to pollution and problems in waste management.


Theres 'throwaway culture' where many items today, especially electronics and fast fashion, are not designed to last or be repaired. This leads to a cycle of buying, discarding, and replacing which generates a lot of waste and resource use.


Another issue is the disconnection from nature and how consumer culture often prioritizes immediate gratification and convenience over long-term sustainability. This reflects a societal disconnection from nature and a lack of understanding about the ecological impacts of our choices.


Consumerism often perpetuates social inequities, where typically those in wealthier nations consume the most, while those in poorer regions bear the brunt of the environmental impacts, such as pollution and climate change.


And another major is that of unsustainable economic models. The global economy is largely built on a model of constant growth, which requires ever-increasing levels of consumption. This model is fundamentally at odds with the finite resources of our planet.


This is where artists come in. A bicycle chain becomes an elegant swan; a rusty car part evolves into a regal lion; scraps of metal morph into a grand cityscape. This process is not just an act of creation; it is a statement, a pushback against the voracious cycle of consumption and waste that scars our beautiful planet.


Prominent in this creative field is Brian Mock, an American artist who skillfully welds together pieces of scrap metal to create intricate works of art. From animals to everyday objects, Mock's sculptures are a vivid testament to the potential lying dormant in our waste.

'Stella' by Brian Mock Image courtesy of Thomas Hawk - licensed under CC BY-NC 2.0.


Across the Atlantic, Portuguese artist Bordalo II uses old tires, bumpers, and other auto parts to create enormous, vibrant animals, bringing awareness to both the harm we inflict on these creatures and the redemption possible through conscious creativity.

'Lince Ibérico' by Bordalo II - Parque das Nações - Lisbon'

Image courtesy of Haydn Blackey - licensed under CC BY-SA 2.0


Edouard Martinet from France creates exquisite sculptures, capturing the anatomy of creatures with exceptional detail, purely using scavenged scrap metal. His work is a testament to the beauty that can emerge from the careful assembly of discarded items. In the words of Martinet, "What's interesting is to use objects that have a story, have lived, and carry this with them."

'Wasp', 28 x 16 x 40 cm

Abdomen: steel tips for boots, bike headlights

Thorax and head : steel tips and bells from bikes and typewriters

Eyes: vintage watch case

Antennae: spectacles arms

Legs: bike brakes , bike chain , spoon handles

Wings: glass


These artists are not just creatives but environmental advocates, their work a tangible demonstration of sustainability. Every bicycle sprocket, nail, or bolt used is a piece of waste diverted from our rapidly filling landfills. Each creation is a whispering plea for mindfulness, urging us to view our discarded items not as mere waste but as potential sources of beauty and art.


This powerful form of art embodies the paradox of our time: our obsession with consumerism and waste, pitted against the increasingly urgent need for sustainability. We live in an era of overproduction and overconsumption, the impact of which is reflected in our landfills, oceans, and in the very air we breathe. Yet, in the rusted scraps and twisted metal, these artists see potential and beauty, offering a profound commentary on society and a promising alternative path.


We live in a world where everything is disposable, where the new is consistently preferred over the old, and where "waste" is a concept applied too liberally. The 'upcycled' art movement, however, poses the question: is it really waste, or have we simply lacked the imagination to see its potential?


As we admire the sculptures born from scrap, we can't help but internalise a crucial message about sustainability. Each piece prompts us to question our consumer habits and the throwaway culture we're enmeshed in. This is not about preaching or reprimanding; it's about inviting us to pay more respect to the world we live in and to rethink how we can better utilise our resources. The beauty found in the scraps is a testament to the enduring spirit of creativity and resilience. It proves that something discarded, dismissed, and destined for destruction can instead be transformed into something beautiful, significant and inspiring. Through the raw textures and timeless appeal of 'upcycled' metal sculptures, we are offered a poignant reminder of the cyclical nature of life and the potential for reinvention that lies within us all.


Perhaps, through these mesmerising pieces, we can learn to see the world differently - to see the potential for art and beauty in what we might have previously considered waste. Just as artists breathe new life into discarded goods, so can we breathe new life into our habits and perspectives, shifting towards a more sustainable, thoughtful approach to consumption.


In conclusion, the art of 'upcycling' offers us not only a visual treat, but a transformative journey. It bridges the chasm between waste and want, turning the cast-off into the cherished, and the overlooked into the admired. In a world marked by both consumerism and the need for sustainability, these sculptures remind us of the beauty that exists within the discarded, the forgotten, and the scrapheap. They remind us that there is indeed beauty in the scraps, and that we, too, can participate in uncovering it. So, the next time you're about to discard something, consider its potential for a second life - a life of beauty, a life of art.


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